Philip Stewart | MUSIC AND SOUND DESIGN

This is Philip’s first collaboration with ANU productions. 

He has written music and sound design for a broad range of media including theatre, sculptural and sound installations, dance, shorts, and documentary film-making. He studied composition under Donnacha Dennehy and Roger Doyle. Theatre credits include Neptune Calling by Eoghan Quinn (RedBear); To the Lighthouse by Virginia Woolf (HATCH); Asking for it by Louise O’Neill, The Approach and Howie the Rookie by Mark O’Rowe (Landmark); Helen and I by Meadhbh McHugh and Crestfall by Mark O’Rowe (Druid); The Wake by Tom Murphy, Conservatory by Michael West, Hedda Gabler by Henrik Ibsen and Quietly by Owen McCafferty (Abbey Theatre). He has been nominated for an Irish Times Theatre Award for his work on The Early Bird by Leo Butler (Natural Shocks) and An Enemy of the People by Henrik Ibsen (Gate Theatre).